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Andy Warhol, Pop Artist

The Prince of Pop Art

Biography by Charles Moffat - November 2007.

Born August 6th 1928 – Died February 22nd 1987.

Andrew Warhola (Andy Warhol) is one of the most influential artists of the 20th century and the central figure of the American Pop Art movement. After a career as a commercial illustrator, Warhol became famous worldwide for his avant-garde Pop Art paintings and screenprintings. He was a diverse figure known for friendships with bohemian street people, distinguished intellectuals, Hollywood celebrities and wealthy aristocrats. He was also controversial figure because of the nature of his works, his near fatal shooting, and his sex life. For these reasons and others he is known as the Prince of Pop Art.


Born Andrew Warhola in a working class suburb of Pittsburgh, Pennsylvania on August 6th 1928 to Slovak immigrants (Ondrej and Julia Warhola [Varchola in Slovakia]). Warhol showed an early interest in photography and drawing, attending free classes at Carnegie Institute.

Warhol's father worked in a coal mine, and the family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood of Pittsburgh. The family was Byzantine Catholic and attended St. John Chrysostom Byzantine Catholic Church. Andy Warhol has two brothers John and Paul. His father died in an accident when Andy was 13 years old.

Warhol came down with St. Vitus' dance in third grade, an affliction of the nervous system causing involuntary movements which is believed to be a complication of scarlet fever. He was frequently bed-ridden as a child and became an outcast amongst other students. When in bed he drew a lot, listened to the radio and collected pictures of movie stars.

Years later Warhol described the period of his sickness as very important in the development of his personality and in the forming of his skill-set and preferences.


The 1940s in America was psychologically grim. The country had just recovered from the Depression and the Second World War had brought the cruel outside world to the hearts and minds of isolationist-minded Americans. The average man worried about protecting his interests at home from Fascists, Communists and atomic bombs. It was an atmosphere of conformity and insecurity.

Andy was the only member of his family to attend college. In 1945 he entered the Carnegie Institute of Technology (now known as Carnegie Melon University), where he majored in pictorial design.

Upon graduation, Warhol moved to New York with fellow students Philip Pearlstein and Phil's wife Dorothy Kantorand found steady work as a commercial artist working as an illustrator for several magazines including Vogue, Harper's Bazaar and The New Yorker.

The Beat movement was there, slamming the mentally lethargic, decadent attitude of the middle class. Artists and writers were out to alter the public consciousness. New York was also the home of breakthrough creativity in the commercial arts industry. Madison Avenue was the advertising and editorial hub of the world. It was the perfect place for an illustrator to make a living.

"Well, Andy was immediately employable. I was a very uncertain thing—my portfolio was one of those elaborately worked out, intellectualized things about the US Constitution (2B), and unfortunately, I hit New York in the beginning of the McCarthy era, and as soon as I walked in and somebody saw it, they immediately assumed I was some sort of political kook ... Andy went right to the heart of the matter, he knew—that's what I mean by he was immediately employable; he was only interested in illustration, and they were very direct." - Philip Pearlstein.

He became well-known for his whimsical ink drawings done in a loose, blotted ink style which were shown at the Bodley Gallery in New York.

He also did advertising and window displays for retail stores such as Bonwit Teller and I. Miller. Ironically, his first assignment was for Glamour magazine for an article titled "Success is a Job in New York."


Throughout the nineteen fifties, Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Director's Club and the American Institute of Graphic Arts. During this period, he shortened his name to "Warhol." In 1951 he won his first ADC Award for a CBS record illustration.

In 1952 his mother moved in with him. She contributed her distinctive handwriting to his illustrations and drawings. (Mrs. Warhola received an ADC certificate in 1958 inscribed "to Andy Warhol's Mother" for her calligraphic style.) His client roster grew to include NBC, Harper’s Bazaar and Dobeckmun. Ironically, he was also commissioned to illustrate the Amy Vanderbilt Complete Book of Etiquette that year. Warhol also had his first New York exhibition-a series of drawings based on the writings of Truman Capote at the Hugo Gallery. He began a series of drawing portfolios and artist's books between commercial assignments, including Love Is A Pink Cake and 25 Cats Named Sam and One Blue Pussy with text contributed by Ralph T. Ward.

Andy also had his first solo exhibition at the Hugo Gallery in 1952, exhibiting Fifteen Drawings Based on the Writings of Truman Capote. Subsequently, Warhol's work was exhibited in several venues throughout the fifties including his first group show at The Museum of Modern Art in 1955.

In 1953 the artist produced his first illustrated book, A is an Alphabet and Love is a Pink Cake, which he gave to his clients and associates.

In 1956 he and other pop artists had an important group exhibition at the renowned Museum of Modern Art. With a burgeoning career as an illustrator and artist, he formed Andy Warhol Enterprises in 1957.

Warhol also traveled to Japan, Southeast Asia, Italy and Holland in 1956 and had two exhibitions at the Bodley Gallery. The work for I. Miller, Harper's Bazaar, and Noonday Press won him additional ADC awards and business was booming so he hired several assistants.

Famous Examples of Warhol's Art

  • Installation of Campbell's Soup Cans - 1962

  • 210 Coca-Cola Bottles - 1962

  • Marilyn Monroe - 1962

  • Che - 1962

  • Marilyn Monroe's Lips - 1962

  • Orange Disaster/Car - 1963

  • Orange Disaster/Electric Chair - 1963

  • Triple Elvis - 1963

  • ELizabeth Taylor (Colored Liz) - 1963

  • Jackie Kennedy - 1964

  • Campbell's Soup Can - 1964

  • Electric Chair - 1965

  • Atomic Bomb - 1965

  • Grey Marilyn Monroe - 1967

  • Untitled (Red Cow) - 1971

  • Mao Tse-tung - 1972

  • Mao - 1973

  • Bianca Jagger's Birthday Party - 1979

  • Camouflage Self-Portrait - 1986

  • Self-Portrait - 1986

  • John Wayne Silkscreen - 1986

    Portraits of Andy Warhol

  • Richard Avedon - Andy Warhol - 1969

  • Alice Neel - Andy Warhol - 1970


    In the 1960s Warhol began to make paintings of American products such as Campbell's Soup Cans & Coca-Cola bottles and comic strips like Superman & Popeye. Starting in 1962 he began making silkscreens of celebrities like Marilyn Monroe, Elvis, Troy Donahue, and Elizabeth Taylor by using enlarging photographs and transferring the images onto his canvases using a projector.

    This was a turning point in Warhol's career as they brought him fame, money and success.

    In 1962, the Ferus Gallery in Los Angeles exhibited his Campbell's Soup Cans and in New York, the Stable gallery showed the Baseball, Coca-Cola, Do It Yourself and Dance Diagram paintings among others. In 1963 Warhol established a studio at 231 East 47th Street which became known as the "Factory."

    In addition to painting and creating box sculptures such as Brillo Box and Heinz Box, Warhol began working in other mediums including record producing (The Velvet Underground), magazine publishing (Interview) and filmmaking. His avant-garde films such as Chelsea Girls, Blow Job and Empire have become classics of the underground genre.

    Consequently he founded The Factory in 1962. It was an art studio where he employed in a rather chaotic way "art workers" to mass produce mainly prints and posters but also other items like shoes designed by the artist. The Factory included a wide range of artists, writers, musicians and underground celebrities. The first location of the Factory was in 231 E. 47th Street, 5th Floor (between 1st & 2nd Ave) in New York City.

    Artists like Warhol were attacked by critics for "capitulating" to consumerism. Critics were scandalized by Warhol's open embrace of market culture. This symposium set the tone for Warhol's reception - though throughout the decade it became more and more clear that there had been a profound change in the culture of the art world, and that Warhol was at the center of that shift.

    Warhol's favorite printmaking technique at the time was silkscreen. It came closest to his idea of proliferation of art. Apart from being an Art Producing Machine, the Factory served as a filmmaking studio. Warhol made over 300 experimental underground films - most rather bizarre and some rather pornographic. His first one was called Sleep and showed nothing else but a man sleeping over six hours.

    A pivotal event was the 1964 exhibit "The American Supermarket", a show held in Paul Bianchini's Upper East Side gallery. The show was presented as a typical small supermarket environment, except that everything in it (the produce, canned goods, meat, posters on the wall, etc.) was created by six prominent pop artists of the time, including the controversial (and like-minded) Billy Apple, Mary Inman, and Robert Watts. Warhol's painting of a can of Campbell's soup cost $1,500, while each autographed can sold for $6. The exhibit was one of the first mass events that directly confronted the general public with both Pop Art and the perennial question of what is art.

    The quintessence of Andy Warhol's skill was his ability to remove the difference between fine arts and the commercial arts used for magazine illustrations, comic books, record albums or advertising campaigns. Warhol once expressed his philosophy in one poignant sentence:

    "When you think about it, department stores are kind of like museums."

    In minimizing the role of his own hand in the production of his work, Warhol sparked a revolution in art thinking, and thus his work quickly became very controversial and more popular.

    In 1968 Valerie Solanas, a periodic factory visitor, and the sole member of SCUM (Society for Cutting Up Men) walked into the Factory and shot Warhol. The attack was near fatal and he was briefly declared dead (doctors opened his chest and massaged his heart to help stimulate its movement again).

    On June 3rd 1968 she arrived at The Factory and waited for Warhol in the lobby area. When he arrived with a couple of friends, she fired three shots from a handgun at Warhol. She then shot art critic Mario Amaya and also tried to shoot Warhol's manager, Fred Hughes, but her gun jammed. Just then, the elevator arrived. Hughes suggested she take it, and she did, leaving the Factory.

    That evening Solanas turned herself in to the police and was charged with attempted murder and other offenses. Solanas made statements to the arresting officer and at the arraignment hearing that Warhol had "too much control" over her and that Warhol was planning to steal her work. Pleading guilty, she received a three-year sentence.

    Warhol refused to testify against her. The attack had a profound impact on Warhol and his art, and The Factory scene became much more tightly controlled afterwards. For the rest of his life, Warhol lived in fear that Solanas would attack him again.

    "It was the Cardboard Andy, not the Andy I could love and play with," said close friend and collaborator Billy Name. "He was so sensitized you couldn't put your hand on him without him jumping. I couldn't even love him anymore, because it hurt him to touch him." While his friends were actively hostile towards Solanas, Warhol himself preferred not to discuss her.

    Warhol barely survived. He never fully recovered and for the rest of his life had to wear a bandage to prevent his injuries from worsening. Years later, his wounds would still occasionally bleed after he overexerted himself. See Richard Avedon's Photograph of Andy Warhol's scars.

    Solanas had given Warhol a script called "Up Your Ass" in 1967 and later demanded he return it. When Warhol admitted he had lost it, she began demanding money as payment. Warhol ignored these demands but offered her a role in "I, A Man" perhaps as compensation which she took. In his book Popism Warhol would write that before she shot him, he thought Solanas was an interesting and funny person. However, her constant hassle and eventually stalking of him made her difficult to deal with.

    Can't get enough Pop Art, Renaissance or Romaniticism art? Check out Andy Warhol, El Greco and Goya.

  • 1970s

    After this assassination attempt the pop artist made a radical turn in his process of producing art. The philosopher of art mass production now spent most of his time making individual portraits of the rich and affluent of his time like Mick Jagger, Michael Jackson or Brigitte Bardot.

    Warhol's activities became more and more entrepreneurial. He started the magazine Interview and even a night-club. In 1974 the Factory was moved to 860 Broadway. In 1975 Warhol published "The philosophy of Andy Warhol (from A to B and Back Again)".

    Warhol renewed his focus on painting and worked extensively on a commissioned basis both for corporations and for individuals whose portrait he painted. Works created in this decade include Skulls, Hammer and Sickles, Torsos, Maos and Shadows.

    In 1975, Warhol said: "What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are good, Liz Taylor knows it, the President knows it, the bum knows it.”

    Firmly established as a major 20th-century artist and international celebrity, Warhol was given a major retrospective of his work at the Pasadena Art Museum which traveled to museums around the world. In the late seventies Warhol began dictating an oral diary to his colleague Pat Hackett, which became the basis for the best-selling Andy Warhol Diaries. He also frequented Studio 54 along with other members of the international jet-set saying, "I have a social disease. I have to go out every night."

    Warhol sometimes socialized at Serendipity 3 and, later in the 70s, Studio 54, nightspots in New York City. He was generally regarded as quiet, shy, and as a meticulous observer. Art critic Robert Hughes called him "the white mole of Union Square".


    Warhol had a re-emergence of critical and financial success in the 1980s, partially due to his affiliation and friendships with a number of prolific younger artists, who were dominating the "bull market" of '80s New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and the so-called Neo-Expressionists, as well as Francesco Clemente, Enzo Cucchi and members of the Transavanguardia movement, which had become influential.

    Warhol also had an appreciation for intense Hollywood glamour. He once said: "I love Los Angeles. I love Hollywood. They're so beautiful. Everything's plastic, but I love plastic. I want to be plastic."

    He began the 1980's with the publication of POPism: The Warhol '60s. He also began work on Andy Warhol's TV, a series of half hour of video programs patterned after Interview magazine. In 1985, "Andy Warhol's Fifteen Minutes" appeared on MTV, half hour programs featuring celebrities, artists, musicians, and designers, with Warhol as the host.

    The paintings he created during this time included Dollar Signs, Guns and Last Suppers. He also produced several paintings in collaboration with other artists including Keith Haring, Jean-Michel Basquiat and Francesco Clemente.

    In his last years Warhol promoted other artists like Keith Haring or Robert Mapplethorpe.

    Following routine gall bladder surgery, Andy Warhol died of complications during his recovery on February 22nd 1987.

    The pop art icon was also a religious man (a little known fact). The funeral liturgy was held at the Holy Ghost Byzantine Catholic Church on Pittsburgh's North Side. The eulogy was given by Monsignor Peter Tay. Fellow artist Yoko Ono also made an appearance. The coffin was covered with white roses and asparagus ferns.

    After the liturgy, the coffin was driven to St. John the Baptist Byzantine Catholic Cemetery in Bethel Park, a south suburb of Pittsburgh. At the grave, the priest said a brief prayer and sprinkled holy water on the casket. Before the coffin was lowered, Paige Powell dropped a copy of Interview magazine, an Interview t-shirt, and a bottle of the Estee Lauder perfume "Beautiful" into the grave. Warhol was buried next to his mother and father.

    A second memorial was organized in New York: More than 2000 people attended the memorial mass at St. Patrick's Cathedral on April 1st.

    After Life

    In 1989, the Museum of Modern Art in New York had a major retrospective of his works. In 2001 Heiner Bastian curated a Warhol retrospective that began in Berlin and traveled to the Tate in London and finally to the Museum of Contemporary Art in Los Angeles.

    In May 1994 the Andy Warhol Museum opened in his home town Pittsburgh in Pennsylvania.

    Warhol had so many possessions that it took Sotheby's nine days to auction his estate after his death; the auction grossed more than US$20 million. His total estate was worth considerably more, in no small part due to shrewd investments over the years.

    On the twentieth anniversary of his death The Gershwin Hotel in New York City held a week-long series of events commemorating Warhol's art and his superstars.

    Warhol's Personality

    Warhol had a bizarre personality and was extremely eccentric as he grew older. During the 1950s he dyed his hair straw-blond and by the 1980s had shaved off his real hair and replaced it with a silver-grey wig.

    The pop artist loved cats and he sometimes made images of them in his artworks for his personal collection.

    One of Andy's friends described him as a true workaholic. Warhol was obsessed by the ambition to become famous and wealthy and he knew he could achieve the American Dream only by hard work.

    Many people think Warhol was asexual later in life because he was afraid of people touching him after the shooting. He was not asexual however because that theory has been debunked by biographers (such as Victor Bockris, Richard Meyer and Bob Colacello) who spoke to his friends and lovers and determined that he was indeed intimate with people. The question of how his sexuality influenced Warhol's work and shaped his relationship to the art world is a major subject of scholarship, and is an issue that Warhol himself sometimes addressed in interviews, in conversation with his contemporaries, and in his publications (e.g. Popism).

    During his lifetime Warhol also produced erotic photography and drawings of male nudes, contributing to the idea that he was homosexual or at least bisexual. Many of his most famous works (portraits of Liza Minnelli, Judy Garland, Elizabeth Taylor, and films like Blow Job, My Hustler, and Lonesome Cowboys) draw from gay underground culture and/or openly explore the complexity of sexuality and desire. Many of his films premiered in gay porn theaters.

    The first works that he submitted to a gallery in the pursuit of a career as an artist were homoerotic drawings of male nudes. They were rejected for being too openly gay. In the book "Popism" Warhol recalls a conversation with the filmmaker Emile de Antonio about the difficulty Warhol had being accepted socially by the then more famous (but closeted) gay artists Jasper Johns and Robert Rauschenberg, who were also Pop artists. De Antonio explained that Warhol was "too swish and that upsets them." In response to this, Warhol writes, "There was nothing I could say to that. It was all too true. So I decided I just wasn't going to care, because those were all the things that I didn't want to change anyway, that I didn't think I 'should' want to change ... Other people could change their attitudes but not me".

    Warhol frequently refused to comment on his work or explain it. He confined himself to responses like "Um, No" and "Um, Yes" and often allowed others to answer for him.

    Warhol was a practicing Byzantine Rite Catholic, attended Mass weekly and he regularly volunteered at homeless shelters in New York, particularly during the busier times of the year. Many of his later works contain almost-hidden religious themes or subjects, and a body of religious-themed works was found posthumously in his estate. The priest at Warhol's church, Saint Vincent's, said that the artist visited there almost daily. Some of his art is noticeably influenced by the eastern Christian iconographic tradition which was so evident in his places of worship.

    Andy Warhol Quotes:

    "Making money is art, and working is art and good business is the best art." - Andy Warhol

    "An artist is somebody who produces things that people don't need to have." - Andy Warhol

    "An artist is someone who produces things that people don't need to have but that he - for some reason - thinks it would be a good idea to give them." - Andy Warhol

    "Before I was shot, I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. Right when I was being shot and ever since, I knew that I was watching television." - Andy Warhol

    "Being born is like being kidnapped. And then sold into slavery." - Andy Warhol

    "Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art." - Andy Warhol

    "Don't pay any attention to what they write about you. Just measure it in inches." - Andy Warhol

    "During the 1960s, I think, people forgot what emotions were supposed to be. And I don't think they've ever remembered." - Andy Warhol

    "Dying is the most embarrassing thing that can ever happen to you, because someone's got to take care of all your details." - Andy Warhol

    "Employees make the best dates. You don't have to pick them up and they're always tax-deductible." - Andy Warhol

    "Everyone will be famous for 15 minutes." - Andy Warhol

    "I'm bored with that line. I never use it anymore. My new line is "In 15 minutes everybody will be famous." - Andy Warhol

    "Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet." - Andy Warhol

    "I always thought I'd like my own tombstone to be blank. No epitaph, and no name. Well, actually, I'd like it to say "figment." - Andy Warhol

    "I always wished I had died, and I still wish that, because I could have gotten the whole thing over with." - Andy Warhol

    "I am a deeply superficial person." - Andy Warhol

    "I had a lot of dates but I decided to stay home and dye my eyebrows." - Andy Warhol

    "I have Social Disease. I have to go out every night. If I stay home one night I start spreading rumors to my dogs." - Andy Warhol

    "I like boring things." - Andy Warhol

    "I love him, I worship him. I masturbate to Duran Duran videos." - Andy Warhol

    "I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic." - Andy Warhol

    "I never think that people die. They just go to department stores." - Andy Warhol

    "I never understood why when you died, you didn't just vanish, everything could just keep going on the way it was only you just wouldn't be there. I always thought I'd like my own tombstone to be blank. No epitaph, and no name. Well, actually, I'd like it to say 'figment.'" - Andy Warhol

    "I suppose I have a really loose interpretation of ''work,'' because I think that just being alive is so much work at something you don't always want to do. The machinery is always going. Even when you sleep." - Andy Warhol

    "I think having land and not ruining it is the most beautiful art that anybody could ever want to own." - Andy Warhol

    "I used to think that everything was just being funny but now I don't know. I mean, how can you tell?" - Andy Warhol

    "I'd asked around 10 or 15 people for suggestions. Finally one lady friend asked the right question, 'Well, what do you love most?' That's how I started painting money." - Andy Warhol

    "I'm afraid that if you look at a thing long enough, it loses all of its meaning." - Andy Warhol

    "I'm the type who'd be happy not going anywhere as long as I was sure I knew exactly what was happening at the places I wasn't going to. I'm the type who'd like to sit home and watch every party that I'm invited to on a monitor in my bedroom." - Andy Warhol

    "I've decided something: Commercial things really do stink. As soon as it becomes commercial for a mass market it really stinks." - Andy Warhol

    "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it." - Andy Warhol

    "In the future everyone will be famous for 15 minutes." - Andy Warhol

    "Isn't life a series of images that change as they repeat themselves?" - Andy Warhol

    "It would be very glamorous to be reincarnated as a great big ring on Liz Taylor's finger." - Andy Warhol

    "It's the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it." - Andy Warhol

    "Land really is the best art." - Andy Warhol

    "Making money is art and working is art and good business is the best art." - Andy Warhol

    "My idea of a good picture is one that's in focus and of a famous person." - Andy Warhol

    "Once you 'got' Pop, you could never see a sign again the same way again. And once you thought Pop, you could never see America the same way again." - Andy Warhol

    "People need to be made more aware of the need to work at learning how to live because life is so quick and sometimes it goes away too quickly." - Andy Warhol

    "Sex is more exciting on the screen and between the pages than between the sheets." - Andy Warhol

    "Since people are going to be living longer and getting older, they'll just have to learn how to be babies longer." - Andy Warhol

    "The most exciting attractions are between two opposites that never meet." - Andy Warhol

    "The most exciting thing is not doing it. If you fall in love with someone and never do it, it's much more exciting." - Andy Warhol

    "They always say time changes things, but you actually have to change them yourself." - Andy Warhol

    "What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest." - Andy Warhol

    "When I got my first television set, I stopped caring so much about having close relationships." - Andy Warhol

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